2020 so far

Greetings from the studio, folks!

studio-1

I hope that this finds everyone well. Quite an interesting year so far, for all of us… Here are a few art updates and some recent developments.

WitW 1

Over the summer I’ve completed all the illustrations for the new limited edition of Kenneth Grahame’s classic The Wind in the Willows.  This was a commission from my friends at Mad Parrot Press. 12 full page images and 8 vignettes will appear in the book that is now in production stages. The edition is set to be released by the end of the year. More information about this project and book order info can be found here.

02 SWTWC comb

A new edition of Ray Bradbury’s novel Something Wicked This Way Comes is also in the production stages. The book will include 6 of my illustrations and will be released by Centipede Press. This should be an excellent edition with a foreword by none other then Neil Gaiman. Besides my illustrations, it will also feature artwork by David Ho and Matt Mahurin.

On to my own limited edition book project, Lewis Carroll’s Haddocks’ Eyes

Haddocks linoHaddocks letterpress04 Haddocks

The work is going full speed ahead. All the lino plates are carved, type is set (for the most part) and the printing is underway. I’ve been using my studio to print the ghost (sepia) images and Reflex Letterpress in Charlestown, MA for the black ink plates and type. Still considering several binding options and looking to get everything wrapped up by early next year. The book will be in edition of 32. Please drop me a line if you’d like to find out more about this project or are interested in reserving a copy of the book.

06 Chayanov retouched

In other developments, I have resumed the work based on the short stories by Aleksandr Chayanov. This is a very fluid project with no specific deadline, so I’ve been creating images over several years now, whenever time permits. Those are charcoal drawings, that will eventually be collected in a single publication.

Book Fair

2020 has not been so great in terms of in-person print fairs and exhibits, but there are several upcoming events that I am really excited about. Next week, I’ll be a Visiting Artist at the Kansas City Art Institute. They have invited me for a full day event where I will be presenting my work, do a virtual studio tour, demos and student crits. KCAI is my alma mater. It’s been 20 years since I graduated with a BA degree in Illustration and Graphic Design. So, being invited to present to the new generation of students is quite exciting on many levels!

In November/December, I am taking part in another virtual event – the Los Angeles Printer’s Fair. Looking forward to exhibiting alongside some amazing artists and print makers. This event will take place over two months, so there is plenty of time to check out all the work.

There are also a bunch of other creative projects that are in the works. I am on sabbatical leave this semester, so quite a few new prints and drawings are being conceived and created. I’ll be posting about this separately, once things will start to take shape. Also in the plans is to finally update the portfolio site and the shop. I’ve neglected those for a while.

More to come soon!

Take care and stay safe,

Vladimir

Excerpts from Nikolai Gogol’s The Diary of a Madman – 10 years

 

01

This book that I’ve created as a Grad student at Central St. Martins’ is celebrating 10 years! The experience of creating it was magical and it opened quite a few doors for me. This was my entryway into the publishing, illustration, letterpress and Fine Press book world. The book was handset with metal type, the illustrations were done with linocuts and everything was printed and bound by hand in the college’s print shop and in my tiny room in an East London flat. It took about 7 months from start to finish and I made enough prints for 20 editions of the book. Since then, those books have been exhibited and found their new homes all over the world – England, France, Netherlands, different parts of the States (one of the last ones was on it’s way to Missouri last week).

32

I’ve done quite a few book projects and have a few in the works right now, but the experience of doing this one is always fresh in my memory. Everything was new. The feel of metal type, sounds of proof presses, smell of printing ink, finger cuts from lino cutters… That feeling of uncertainty, trial and error, constant mistakes and revisions, something completely new, unexpected and real.

 

Amanda Palmer – The Alchemist

A few months ago, the awesome and amazing musician/performer/poet Amanda Palmer (formerly of the Dresden Dolls, now performing solo with a new band The Grand Theft Orchestra) reached out to me to create some art for her upcoming book and tour. Her plan was to get a bunch of artists to create visual interpretations of her new songs and herself. The results were going to be compiled in a book that would be coming out around the same time as her new album. In addition to this, she was going to do a set of acoustic performances/gallery shows where the art would be exhibited. Being a fan of such artistic collaborations and AFP, I jumped to the task! As a result, two pieces were created – one based on the song (more on that in the future post) and one depicting Amanda:

AFP

So as far as the process goes… Bellow are some images of Amanda that provide just a tiny glimpse into her personality. Her live shows are incredibly theatrical and electrifying, going way beyond being defined by any one genre. The lyrics are smart, sharp, funny and poignant.

AFP

Bellow is the initial sketch that I have actually done a year ago while working on some t-shirt designs for Amanda. Since that time, I’ve gotten to know and understand her art and music a little better. While coming up with ideas, some old medieval alchemy images started to come to mind (like the one on the right). The final result turned out to be a hybrid of those two approaches.

alchemy

The initial image was a linoleum cut (on the left), actual print (on the right).

LinocutAfter scanning the print into Photoshop, I’ve started to think of how this could appear in color. I broke the image down to three colors and also added a background layer of the smoke in the background. Bellow are the four files I’ve used to create the screens from, initially deciding that one is going to be black, the other brown, next one dark green and the last one light blue. Some of those would overlap when printed.

AFP

And here’s how it all started to come together when the screens were all done and the printing process had begun.

AFP progress

As always, the plan was to crank this out in one night. As it happens, it took two whole nights just to get all the inks mixed and figured out. Of course there were little surprises along the way. This time after spending a few hours coming up with a perfect color combination I had to throw the inks out and start from scratch, simply because those particular inks would not cooperate with the paper.

silkscreen process

Working my way from background to foreground, light to dark. The final pass was the black layer.

silkscreen

And here are a few detail shots.

Vladimir ZImakov

Vladimir Zimakov

Vladimir Zimakov silkscreen

This is the print alongside the one I’ve made for one of the songs.

AFP silkscreen

Since sending those out to Amanda’s headquarters they have traveled to London, Berlin, Paris, San Francisco, Los Angeles and Boston. They are also now available at Etsy for sale. Bellow is a picture of Amanda in front of them at one of the gallery show events (I believe that one is from London). More on those events, shows, the book those will appear in and the art talk that Amanda and I did in San Francisco a bit later.

The Sound of a Migrane

In the summer of 2011 I have met Mihail Pogarsky, a man who is hugely involved in the Russian Artist Book art scene. He organizes annual Artist Book Fairs in Moscow, publishes a magazine on the subject, initiates a variety of international book projects and creates beautiful books himself. Over coffee we’ve discussed many aspects of what we do and what’s happening in the book art world in Russia and USA. Several months later I have received an email from him asking me if I would be interested in participating in a project that he is curating entitled Music of the Book. 12 artists from Russia and 12 from Germany and Austria were involved. This was designed to be a multidisciplinary project between Artist’s Book and multimedia. The books that were to be created would be part of an international traveling exhibition. Bellow is my entry.

Sound of Migrane book

The brief was to create a one or two spread book that will reflect visually a certain piece of music, sound, noise, etc. I initially wanted to take a piece of music for the interpretation (Gavin Bryar’s Jesus Blood Never Failed Me Yet, for an example). Then an idea came to use a sound that is not a sound at all. To visualize something that we all hear sometimes inside of us, but that can not be projected or recorded. So here are the process stages of The Sound of a Migraine:

I wanted to use the image of the rats scraping away at something. I “borrowed” the rat linocut image from a piece that I have done last year for a story by Adgar Allan Poe. The choosing of the background followed.

This was going to be a collage. I wanted to actually cut out the “pounding headache noise”.

Zimakov collage

After a while, the studio desk was filled with x-acto knives, ink, prints, chipboard and paper.

Zimakov studio

In addition to the cut-out red “sounds”, I made a rubber stamp that would be stamped in black over the final inside spread.

stamp

The cover image would serve as an introduction to what’s inside. Prints and cutouts were mounted onto a chipboard.

book cover

This book was an edition of two. Both copies were sent to Mihail in Russia. So far they have been exhibited at the Central House for the Artist in Moscow and the Tretyakov State Gallery, among other places. Germany is next,  so you might catch them floating around Europe at some point! Check out more about the concept and see other artists’ submissions here.