A couple of weeks ago, I have participated in a 2-man art exhibit with a fellow illustrator Igor Karash. What brought us together was the work that we have done for The Folio Society, a British publisher of illustrated books.

The Folio Society is known for producing beautiful books and working with illustrators from all over the world. Back in 2010, its art director, Sheri Gee approached me to create illustrations for Gustav Meyrink’s classic The Golem. In 2012, Igor Karash won the House of Illustration Book Competition. The winning prize was a commission to illustrate The Folio Society’s edition of The Bloody Chamber and Other Stories by Angela Carter.

The illustrations were done in completely different styles (Igor used watercolors and mine were linocuts), but there were some similarities in the subject matter that we have worked with. Both books by Meyrink and Carter revolved around dark and mystical themes. Also both authors used traditional tales, myths and legends as a source of inspiration.

Illustrations from the Golem by Vladimir Zimakov

Besides being book illustrators and working with the same publisher, what also tied us together were our Russian roots and our Texas experience. Igor lived in Houston for a long time after moving to the US and I have spent a bit of my formative years in Dallas, where my parents still reside.

Illustrations from The Bloody Chamber by Igor Karash

We were introduced earlier this year by Sophia Grinblat, the president of the Russian Cultural Center in Houston. She was the one who proposed that we do a show together at her gallery, which was located in the heart of the city’s art district.

It’s always tricky and challenging to do group shows, especially when the artists live in different cities and have to fly in a few days before the exhibition for installation. This time, I wasn’t so much worried. After briefly talking to Igor over the phone for the first time, I knew that we were on the same page with this.

When I have to exhibit and install the show in cities other then mine, the first stop after the plane lands is IKEA, which has the best deal on frames. You can also count on them for having a bunch of them in stock. That way one can carry a whole exhibit of graphic works in a large folder or a roll. Igor took a very similar route.

With the generous help of a fellow Houston artist Boris Kaplun and the staff of the gallery, Igor and me were able to frame and install the whole show in one long day.

There’s always something that breaks or needs to be matted right during the installation, and as the fate would have it, the only business that was open within two blocks on a Thursday night was a frame shop…

Igor has exhibited original drawings, prints and sketches for The Bloody Chamber.

Since my prints for The Golem were smaller, I have also decided to show the illustrations from Meyrink’s Walpurgisnacht, Andersen’s The Nightingale, Poe’s The Pit and the Pendulum and some of the work that I have recently done for Amanda Palmer.

Also on display was some of the most recent stuff that I am currently working on inspired by ancient myths and the writing of Alexandr Chayanov. In a typical manner, some of those were finished the night before I boarded the plane for Houston.

The opening night was held on Friday, April 5^th.

The Folio Society was very generous to send the Russian Center copies of our books for signing. We set up a table in the middle of the gallery showcasing the books and prints.

And here’s a photo taken at the very end of an exhausting but gratifying day.

Vladimir Zimakov & Igor Karash (photo by Lola Vayner)

Go here to see all illustrations from The Bloody Chamber and other works by Igor Karash.

Here you can see all of my illustrations for The Golem.

This is the site of The Folio Society, where you can check out all the great books that they publish.

More about Russian Cultural Center and Caviart Gallery is here.